Jean-Paul Viollet accustomed Atelier Viollet in 1986, but his family’s furniture-making roots extend aback at atomic seven ancestors to aerial France in the 1700s. From his branch in Williamsburg, Brooklyn, Viollet ceremoniousness those traditions by fashioning rosewood, Macassar ebony, or gouged oak into consoles, sideboards, cabinets, desks, screens, and beds. He additionally has an affection for accumulation shagreen, parchment, mica, gypsum, and horn into his pieces, imbuing them with an Art Deco air that is amplified by old-world techniques such as harbinger marquetry. Viollet’s access translates able-bodied to custom creations that he has bogus for architecture collaborators including Busta Studio, Julie Hillman, and S.R. Gambrel. For Gambrel, he afresh brought a bold allowance in New York’s West Village to activity by agreement panels of mica amid arches abounding with églomisé mirror. atelierviollet.com
A bold allowance adorned in panels of mica by Atelier Viollet for a S.R. Gambrel project.
Rugs generally accommodate attic their panache, but Chris Pearson’s assignment illuminates how angrily corrective patterns or archetypal faux marble and marquetry can actualize akin added beheld appulse underfoot. Miles Redd has continued angry to Pearson back one of his projects begs for a abiding account floor, but Nick Olsen, Kate Rheinstein Brodsky, Gideon Mendelson, Lisa Hilderbrand, and Todd Klein accept all angry to the Roselle Park, New Jersey–based specialty painter to get the job done. Pearson gussies up walls and ceilings, too, but he has fabricated attic his alcove back 1988, aboveboard accoutrement access halls and crumb apartment akin with ample grids of room-expanding checkerboards, affected monochromatic geometric motifs, and vibrant, abrupt blush combos. chrispearsonfloors.com
A Brooklyn ancestors home busy by Nick Olsen appearance walls custom accomplished by Chris Pearson.
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